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Art, Drama, Music and Books
Art, drama, music & books

Community Invited to 'Messiah' Sing at The Reformed Church on Saturday, December 10 PDF Print Email

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By Dr. Sándor Szabó, Minister of Music and Organist, The Reformed Church of Bronxville


Dec. 7, 2016:  On Saturday, December 10, at 4:00 pm, The Reformed Church of Bronxville will host its annual Messiah-sing accompanied by professional soloists and a string quartet and conducted by Dr. Sándor Szabó.

During the concert, the community is invited to join the professional soloists and string quartet to sing Handel's great oratorio and be a part of this family tradition of fellowship and music. 

Scores will be provided. A reception will following the performance.

For more information, call 914-337-6776.

Pictured here: Detail of a stained-glass window in St. John the Baptist's Anglican Church, Ashfield, New South Wales.

Photo by Toby Hudson / Creative Commons Attribution-Share Alike 3.0 Unported license (http://creativecommons.org/licenses/by-sa/3.0/legalcode)

 
Caroline Doctorow to Give Holiday Concert at Bronxville Library Saturday, December 10 PDF Print Email

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By Pippa Colvin, Member, Board of Trustees, Friends of the Bronxville Public Library


Dec. 7, 2016:  Join one of America's finest champions of folk music, Caroline Doctorow, daughter of renowned author E.L. Doctorow, on December 10 at 3:00 pm at the Bronxville Public Library for "An American Holiday in Song," an uplifting acoustic music holiday concert that people of all ages will enjoy. 

The program includes standards such as "Winter Wonderland," "Frosty the Snowman," "Dreidel Song," "Let It Snow," and "Deck the Halls," as well as Caroline's original holiday songs and several instrumental works, all delivered in her unique Americana/folk style. Audience participation is encouraged.

The concert is free and will be followed by a reception.

Pictured here:  Caroline Doctorow.

Photo courtesy Caroline Doctorow


 
Concordia Conservatory's 17th Annual Holiday Musical Written by BHS Grad Chris Landy December 2, 3, and 4 PDF Print Email

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By Kathleen Suss, Executive Director, Concordia Conservatory


Nov. 30, 2016: Concordia Conservatory presents its 17th annual holiday community musical, Santa's Year Off! with five shows at the Schoenfeld Center on the campus of Concordia College on Friday, December 2 (7:00 pm), Saturday, December 3 (4:30 pm and 7:00 pm), and Sunday, December 4 (1:00 pm and 3:30 pm).

The book, music, and lyrics of Santa's Year Off! were written by Concordia Conservatory alumnus and Bronxville High School graduate Christopher Landy '14, a junior currently a composition and film major at Northwestern University. This is the first holiday community musical created and composed by a Conservatory graduate.

The members of the cast of children and young adults from ages 8 to18 hail from Westchester and Fairfield Counties. The members of the cast are Sarah Angevine, Julia Obnibene, Katie Suss, Maya Madhavan, Renee Ai, Catie Burnell, Colleen DeGennaro, George Cooney, Gabby Adams, Robert McGinness, Jacoby Goodson, Renz Toledo, Lyndsie Schultz, Jeffrey Rohr, Paul Hodulik, Caleigh McCrink, Peter Keller, Anthony Gjelaj, Olivia Damasco, Anthony Evangelista, Joshua Gleason, Caroline Richardson, Maya Engenheiro, Alexis Pinto, Elizabeth Caminiti, Chloe Simonte, Maddy Smith, Kyle Smith, Elina Cummings, Amelia Bornmann, Alana McGinness, Jenna Velez, Elizabeth Cioffi, Joanne Arana, Renee Arana, Julia Arditi, Natalie Beit, Ines DosSantos, Quinn Benedikt, Surriah Sheronick, Katarina Seuffert, Sydnei McKnight, Sofia Adams, Olivia Arditi, Luke Szczepenski, Nora Podoll, Rihanna Samson, Caryn Cummings, Max Shearon, Joshua Nonfleuyus, Rye Adkins, Kailee Fino, Kimberly Palomino, Kaden Cummings, Lily Bonnem, Ingrid Krawiec, and Emily Share.

The members of the production team are Greg Suss, stage director, Jon Klibonoff, music director, and Audry Ginsburg, choreographer. The producers for the production are Marcy Damasco, Kim Smith, Michele Simonte, Sharon Shearon, and Eleanor Evangelista.

Since 1999, Concordia Conservatory has produced an annual holiday musical as a tuition-free community outreach program funded by private contributions from donors throughout Westchester County.

Tickets are $20 for adults and $10 for seniors and children and are available by phone at 914-395-4507 or online at www.concordiaconservatory.org.

Pictured here:  Postcard advertising Concordia's musical this year.

Photo courtesy Kathleen Suss, Executive Director, Concordia Conservatory 

 
James Lettiere, Art Critic: Max Beckmann at The Metropolitan Museum of Art PDF Print Email

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By James Lettiere, Art Critic


Nov. 23, 2016:  While visiting London and Paris during the last week of October, I was fortunate to attend two exciting exhibitions, and I was prepared to write about them (Abstract Expressionism at the Royal Academy of Arts in London and a remarkable joint Picasso–Giacometti show at The Musée Picasso in Paris).

However, I came upon the Max Beckmann show at The Metropolitan Museum of Art, and it surely deserves our attention. The show has paintings painted by Beckmann while living in New York City and paintings that have a connection to museums, galleries, and collectors in the New York art world.

There are many portraits, self and others, and they encourage the viewer to try to read the mood of the subjects. His still-life and group scenes are vibrant and enjoyable, but in a serious vein. 

I read a rather somber review in The New Yorker after seeing the exhibition. My view was different because while he was living in self-imposed exile, his work demonstrated an exuberant connection with life.

The Metropolitan Museum of Art

Open Seven Days a Week
Sunday–Thursday: 10:00 am to 5:30 pm
Friday and Saturday: 10:00 am to 9:00 pm
Closed Thanksgiving Day, December 25, January 1, and the first Monday in May 

Pictured here:  A poster advertising the Max Beckmann exhibit.

Photo by James Lettiere

 
Art Historian Bill Agee Authors Book on Development of Modern American Art PDF Print Email

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By Carol P. Bartold


Nov. 16, 2016:  "Expert" is not a word that writer, teacher, and former museum curator William Agee likes. "I'm a historian," he emphasized. "This is what I believe and think. It's what I have studied."

Bill considers his latest book, Modern Art in America 1908-68, published in March of 2016 by Phaidon Press, his own history. "I told the publisher that I was not going to write a standard textbook with no tone or edge to it," Bill said. "I really wanted to write what had been important to me."

The author of several books, Bill explained that in Modern Art in America 1908-68, he has laid out in detail a continuity over the entire sixty-year time span that most art history texts treat as two distinct eras, with 1945 as the split. "There is more connection between pre- and post-1945 painting than people have ever talked about," he said.

Agee chose 1908 as the starting point of his study because social, demographic, and technological developments that year marked the beginning of a distinct modern age. Henry Ford invented the Model T automobile, which began the shift from an agrarian to an industrial society in America. Five years after their first flight, the Wright Brothers flew for two-and-a-half hours. "That changed the world," Agee noted. Also in 1908, President Theodore Roosevelt sent his Great White Fleet of battleships on a journey around the world to establish America as one of the world's great imperialistic nations.

Although art does not always strictly follow historical developments, Agee said, there were three significant events in 1908 that established a distinctly different and modern direction for art. A New York exhibition of painters who were part of the Ashcan School of realism gained national attention for the movement. That same year, Henri Matisse, at the urging of American artists in Paris, opened a school. "Working with Matisse was being right on the cutting edge," Agee said. Also in 1908, Alfred Stieglitz opened his gallery, 291, in New York and showed the best modern art from Europe and America. The gallery became a laboratory for working through modernist ideas, and from the gallery there came a first American wave of modern art. 


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"In 1968, art changed as the world changed," Agee said. Nineteen sixty-eight was a year of revolution that brought about a huge loss in faith in institutions of all types, he observed. Museums were visible institutions that represented money and power. "The same is true of painting as a craft, as making something with paint, canvas, and brushes." Although Agee feels that good art still appeared after 1968, it was created by artists who matured before then.

"Pre-1968 I felt we in the New York City art world were part of something special," Agee said. "There was a common understanding and a mutual respect among people. After 1968, the divisions became so bitter we couldn't have that."

After earning a degree at Princeton University and studying at Yale University, Bill Agee began his career in the art world as a curator and also worked as a museum director. He held positions at the Whitney Museum and the Museum of Modern Art in New York, at the Pasadena Art Museum (precursor to the Norton Simon Museum) in California, and at the Museum of Fine Arts in Houston, Texas.

After he left museum work, Agee worked on research projects with the help of fellowships. A friend at Hunter College, the chair of the art department, suggested that Agee teach a graduate seminar. That graduate seminar led to a 20-year teaching career at Hunter, where he was awarded an endowed chair, the Evelyn Kranes Kossak Professor of Art History. He retired in 2014.

"I have kept on working," Agee said. "I will write as long as I feel I have something to say."

Pictured here:  William Agee and publicity for his book.

Photos by A. Warner

 
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